My latest book, The Jazz Singers, has entries on 521 vocalists, the great majority of whom are currently active. In addition
to the historic figures, it covers today's jazz scene in depth with original quotes from 270 jazz vocalists. It also includes a
paragraph apiece on 198 other singers of today, short mentions of 55 often-surprising performers who recorded as a jazz
singer on at least on one occasion, and entries on 30 jazz vocal groups. It also has my pick for the ten songs that all singers
should try to avoid.
Jazz On Film is a book that was really needed. In it I review 1,400 films, documentaries, shorts, videos and DVDs, all of
which have at least a brief appearance by a jazz instrumentalist or singer onscreen, not just on the soundtrack. I rate both
the music and the quality of the movies, from 10 (classic) to 1 (stinks).
Jazz On Record – The First Sixty Years is over 800 pages and discusses what every key jazz performer was up to during
each decade. I put some humor and trivia in the time line sections, kept the thousands of record reviews very short, and
portrayed the entire jazz world during every period. Swing did not disappear in 1945, bebop was still thriving in the 1960s
and 70s, and newer styles did not replace older ones. I cut off the book in 1976 when every jazz style was alive and co-
existing with each other.
Jazz: A Regional Exploration discusses the history of jazz and its different styles in an unusual way, by cities and regions.
From New Orleans and Chicago to Kansas City and New York, jazz had many regional styles, all of which are covered in this
survey of the music's first 100 years.
The trumpet has always been my favorite instrument even though I cannot get a decent note out of that illogical horn.
Trumpet Kings has biographies of 479 trumpeters from all styles and covers every soloist of importance from 1901-2001. It
includes many original quotes gathered from questionnaires that I sent to all of the living trumpeters and there is a liberal
amount of humor since many trumpeters are simply crazy! From Buddy Bolden to Freddie Webster, from Jack Sheldon to
Dave Douglas, they are all here.
Afro-Cuban Jazz focuses on the history, current scene and legacy of Latin jazz, one of the most creative styles of music
around today. I separated jazz from Cuba from that of Brazil (which could be a separate book altogether), focusing on the
former. The book discusses the main innovators of each era in alphabetical order from Tito Puente and Cal Tjader to David
Sanchez and Chucho Valdes and has a section called “They Also Recorded Afro-Cuban Jazz” which talks about the Latin
recordings of more mainstream jazz musicians.
Since dixieland and early jazz are my first love, it was only right that I would write a book on the 1920s. Classic Jazz puts the
spotlight on the 1917-33 period, from the hot soloists to the early big bands, the classic blues singers to the famous
ensembles. It was a pleasure really digging into that period, and I do not think that I missed anyone of significance in my
biographies or in my reviews of the era's recordings.
In Bebop, I cover both the classic bop era (1945-49) and the bop-oriented soloists who matured in later years. The most
difficult part about writing this book was separating bop from cool jazz and hard bop since many musicians and singers
constantly cross those boundaries. In addition to Charlie Parker, Dizzy Gillespie, Bud Powell, Fats Navarro, Thelonious Monk
and their contemporaries, this book discusses the more advanced stylists of the swing era, the swing big bands’ individual
reactions to bop and the many bebop recordings.
I wanted Swing to be a different type of book, not just sticking to the swing era but covering all aspects of swing music
through historic essays, biographies and record reviews. It discusses swing of the 1920s, the band leaders, top soloists and
singers of the Swing era (1935-46) and the top swing stylists that came to prominence after the big band era ended. In
addition, it was the first mainstream book to take the Retro-Swing movement of the 1980s and ‘90s and groups such as the
Royal Crown Revue and Big Bad Voodoo Daddy seriously.
The third edition of the All Music Guide To Jazz gave me the opportunity to write thousands of record reviews about
everyone from Bix Beiderbecke to Cecil Taylor, Louis Armstrong to John Coltrane. With its concise biographies and historic
essays, it is one of the major jazz reference books.
Duke Ellington is a beautiful photo book that has many rare shots of Ellington and his sidemen from the 1920s to the
1970s. I wrote a lengthy biographical essay that accompanies the classic shots. Ellington was such a remarkable musician
(pianist, composer, arranger and band leader) and during every year of 1926-73, his orchestra ranked with the top five of
the time.
In 2008, I wrote the text to a rather unusual book. The talented Dutch photographer Jaap van de Klomp traveled the world
taking beautiful photos of the graves of scores of jazz immortals. The large book that resulted, Jazz Lives - Till We Shall
Meet And Never Part, is a rather unique masterpiece and not downbeat in the slightest. I had the honor of writing the 180
or so biographies and, in addition to the photos of the graves, there is a photo apiece of each musician and singer in his or
her prime. Published in the Netherlands by Bruna Uitgevers, this will not be an easy book to find and it is not inexpensive, but
it is a gem. Look for it on the Internet at www.JazzLives.nl
to the historic figures, it covers today's jazz scene in depth with original quotes from 270 jazz vocalists. It also includes a
paragraph apiece on 198 other singers of today, short mentions of 55 often-surprising performers who recorded as a jazz
singer on at least on one occasion, and entries on 30 jazz vocal groups. It also has my pick for the ten songs that all singers
should try to avoid.
Jazz On Film is a book that was really needed. In it I review 1,400 films, documentaries, shorts, videos and DVDs, all of
which have at least a brief appearance by a jazz instrumentalist or singer onscreen, not just on the soundtrack. I rate both
the music and the quality of the movies, from 10 (classic) to 1 (stinks).
Jazz On Record – The First Sixty Years is over 800 pages and discusses what every key jazz performer was up to during
each decade. I put some humor and trivia in the time line sections, kept the thousands of record reviews very short, and
portrayed the entire jazz world during every period. Swing did not disappear in 1945, bebop was still thriving in the 1960s
and 70s, and newer styles did not replace older ones. I cut off the book in 1976 when every jazz style was alive and co-
existing with each other.
Jazz: A Regional Exploration discusses the history of jazz and its different styles in an unusual way, by cities and regions.
From New Orleans and Chicago to Kansas City and New York, jazz had many regional styles, all of which are covered in this
survey of the music's first 100 years.
The trumpet has always been my favorite instrument even though I cannot get a decent note out of that illogical horn.
Trumpet Kings has biographies of 479 trumpeters from all styles and covers every soloist of importance from 1901-2001. It
includes many original quotes gathered from questionnaires that I sent to all of the living trumpeters and there is a liberal
amount of humor since many trumpeters are simply crazy! From Buddy Bolden to Freddie Webster, from Jack Sheldon to
Dave Douglas, they are all here.
Afro-Cuban Jazz focuses on the history, current scene and legacy of Latin jazz, one of the most creative styles of music
around today. I separated jazz from Cuba from that of Brazil (which could be a separate book altogether), focusing on the
former. The book discusses the main innovators of each era in alphabetical order from Tito Puente and Cal Tjader to David
Sanchez and Chucho Valdes and has a section called “They Also Recorded Afro-Cuban Jazz” which talks about the Latin
recordings of more mainstream jazz musicians.
Since dixieland and early jazz are my first love, it was only right that I would write a book on the 1920s. Classic Jazz puts the
spotlight on the 1917-33 period, from the hot soloists to the early big bands, the classic blues singers to the famous
ensembles. It was a pleasure really digging into that period, and I do not think that I missed anyone of significance in my
biographies or in my reviews of the era's recordings.
In Bebop, I cover both the classic bop era (1945-49) and the bop-oriented soloists who matured in later years. The most
difficult part about writing this book was separating bop from cool jazz and hard bop since many musicians and singers
constantly cross those boundaries. In addition to Charlie Parker, Dizzy Gillespie, Bud Powell, Fats Navarro, Thelonious Monk
and their contemporaries, this book discusses the more advanced stylists of the swing era, the swing big bands’ individual
reactions to bop and the many bebop recordings.
I wanted Swing to be a different type of book, not just sticking to the swing era but covering all aspects of swing music
through historic essays, biographies and record reviews. It discusses swing of the 1920s, the band leaders, top soloists and
singers of the Swing era (1935-46) and the top swing stylists that came to prominence after the big band era ended. In
addition, it was the first mainstream book to take the Retro-Swing movement of the 1980s and ‘90s and groups such as the
Royal Crown Revue and Big Bad Voodoo Daddy seriously.
The third edition of the All Music Guide To Jazz gave me the opportunity to write thousands of record reviews about
everyone from Bix Beiderbecke to Cecil Taylor, Louis Armstrong to John Coltrane. With its concise biographies and historic
essays, it is one of the major jazz reference books.
Duke Ellington is a beautiful photo book that has many rare shots of Ellington and his sidemen from the 1920s to the
1970s. I wrote a lengthy biographical essay that accompanies the classic shots. Ellington was such a remarkable musician
(pianist, composer, arranger and band leader) and during every year of 1926-73, his orchestra ranked with the top five of
the time.
In 2008, I wrote the text to a rather unusual book. The talented Dutch photographer Jaap van de Klomp traveled the world
taking beautiful photos of the graves of scores of jazz immortals. The large book that resulted, Jazz Lives - Till We Shall
Meet And Never Part, is a rather unique masterpiece and not downbeat in the slightest. I had the honor of writing the 180
or so biographies and, in addition to the photos of the graves, there is a photo apiece of each musician and singer in his or
her prime. Published in the Netherlands by Bruna Uitgevers, this will not be an easy book to find and it is not inexpensive, but
it is a gem. Look for it on the Internet at www.JazzLives.nl
Festival Reviews Links Some Thoughts and Fun Ideas
MY BOOKS
I have written ten books on jazz thus far. Please see below for information on each of them. Prices for all books (except Jazz On Record) are $25
plus $5 postage and include my autograph if requested. Jazz On Record 1917-76 is $60 plus $10 postage. Unfortunately no copies of Duke
Ellington, Jazz: A Regional Analysis and the All Music Guide To Jazz are for sale through me at this time. If you are interested in purchasing one of
these books, please send an Email to scottyanowjazz@yahoo.com.
MY BOOKS
I have written ten books on jazz thus far. Please see below for information on each of them. Prices for all books (except Jazz On Record) are $25
plus $5 postage and include my autograph if requested. Jazz On Record 1917-76 is $60 plus $10 postage. Unfortunately no copies of Duke
Ellington, Jazz: A Regional Analysis and the All Music Guide To Jazz are for sale through me at this time. If you are interested in purchasing one of
these books, please send an Email to scottyanowjazz@yahoo.com.